![]() The thing is that none of this is actually a manageable archival medium, of course, so it becomes more an issue of creating many redundant copies in the hope that at least one of the copies will survive. This is a project that will be in in production for months, so they back up their P2 mediafiles two or three times from the cards onto large 1TB quad interface drives and on a SATA RAID box. However, there is a serious storage issue. ![]() I've been investigating the P2 stuff recently (because of an upcoming gig), and it seems fairly doable. Then you have all the more reason to explain your clients (and their DP's): we did elaborate testing and concluded that a proper workflow involves the creation of tape dubs. There's even DNxHD36 that will give you the option to offline in HD, at reasonable bandwith (comparable to 3:1 or DV).Īnd even more so, after testing you might draw the conclusion that it is a better workflow (for you or anybody else involved) to create HD tape dubs from the files. If they shoot 23.976 HD, it should be easy for you to offline in 23.976 (HD) as well. However, it might be interesting to do some research and testing to see how easy or complicated it is to handle an HD workflow. I don't think it's an unreasonable request by you per se. Downloads Avid VENUE updates All Avid VENUE Standalone Software Plugins Avid Knowledge Base Find help for all products, past and present. Or get help with your software using the links below. After the dust settles on this current job, I'll start doing more test with the files and such to see if it is even right for us. Avid VENUE Software - Learn & Support - Avid Discover the ease and efficiency the software brings to any live mixing workflow on our VENUE S6L product page. But I know what I feel more comfortable working on and what best protects my clients. They need to get the film developed and create dailies for me. The editor? I’m not cool with that personally. Are these guys just trying to do less in the end and put it on ![]() And tracking downĪ master from storage is much more realistic than tracking down mediaįiles. Mac Rating Unrated Last Tested: n/a About Ratings Advocates 1 Install CrossOver Trial Download Trial 2 Manual Install Required Please see our walkthrough. Available for download from the bottom of this page. Undoubtedly will revisit the footage at a later date. VENUE 3.0 Standalone software provides offline editing capabilities for the VENUE D-Show, Profile, Mix Rack, and SC48 systems. That they give the footage onto an HD master.Īm I wrong to ask for a Master format over media files? It is in theīest interest of my work flow as well protecting my client as they Were pretty rude and told me to get with the times. I asked them to get the files to an HD master (HDSR) and they This because they are HD Native files 23.98 that need to be convertedįor me to work with in SD 29.97, and subsequently conformed in FlameĪnyway. His files straight from the HD video camera. Had a couple jobs come up recently where the “DP” wants to give me With the advent of the HD video camera that creates files my company and I are beginning to see more medium range jobs come our way where they shoot with HD Video/Files as apposed to on film. I have always worked from SD dailies for either SD finish and or HD/SD finish in Flame or Smoke or the like. I create motion graphics using After Effects CC and Photoshop CC.Offline spot editor here. I edit using AVID Media Composer and Premiere Pro CC. My background and experience ensures inventive ideas and versatile solutions. I bring together well-paced editing and astute music choices to create the highest quality programmes. I help build the story, simplify, explain and deliver it. I am fast and precise, able to edit 5 minutes of TV a day. I love music and have a great sense of humour so naturally enjoyed working on ITV1 'Nation's Favourite Elton John Song', C5 'Gobsmacking Global Ads' and C4 'Random Acts' which were short films by first time directors. ![]() I live in the North Yorkshire countryside and enjoyed working on ITV1 'Robson Green's Coastal Lives' which featured my village, C4 'The Yorkshire Dales and The Lakes' and Countryfile. I edit documentaries as well as flagship current affairs programmes C4 'Dispatches', BBC2 'Newsnight' and ITV1 'Exposure'. I love ob doc and for 4 years have worked on C4 'A New Life In The Sun'. I have 23 years experience, including 6 years at BBC Birmingham, making primetime and daytime TV programmes for BBC1, BBC2, ITV1, Channel 4 and Channel 5. Dispatches - Skipping School: Britain's Invisible Kids
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